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Lady Rodney and Violet are sitting over the fire, and now Mona joins them, gowned in the blue satin dress in which she had come to meet Geoffrey, not so many months ago, in the old wood behind the farm. These sounds, vague and harmonious as they are, yet full of mystery and unexplained sadness, but serve to heighten the fear that chills her heart. "Yes, but we are all so different from the English. We have no pretty fair hair in Ireland, or at least very little of it.".

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"You look like Marguerite. A very lovely Marguerite," says Geoffrey, idly, gazing at her rather dreamily. At this remarkable answer to a very ordinary and polite question, Lady Rodney stares at Mona for a moment, and then turns abruptly away to greet Geoffrey. Whereupon Captain Rodney, coming forward, tells Mona he is glad to see her, kindly but carelessly; and then a young man, who has been standing up to this silently upon the hearthrug, advances, and takes Mona's hand in a warm clasp, and looks down upon her with very friendly eyes. A very charming vision clad in Oxford shirting, and with a great white hat tied beneath her rounded chin with blue ribbons,—something in the style of a Sir Joshua Reynolds,—emerges from among the low-lying firs at this moment. Having watched the (seemingly) light catastrophe from afar, and being apparently amused by it, she now gives way to unmistakable mirth and laughs aloud. When Mona laughs, she does it with all her heart, the correct method of suppressing all emotion, be it of joy or sorrow,—regarding it as a recreation permitted only to the vulgar,—being as yet unlearned by her. Therefore her expression of merriment rings gayly and unchecked through the old wood. "I suppose so," she says, in a voice from which all joy has flown. "And it is only natural; you will be happier there." She is looking straight before her. There is no quiver in her tone; her lips do not tremble; yet he can see how pale she has grown beneath the vivid moonlight..